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Interview, Fireside Chat

A Conversation with Sherry Lansing

  • Career Milestones:

    • In 1980, Sherry Lansing became the first woman president of 20th Century Fox at age 35, rising from an entry-level script reader to senior vice president of production.
    • She served as chairman of Paramount Pictures from 1992 to 2003, overseeing a 13-year run that produced Saving Private Ryan, Forrest Gump, Titanic, and Braveheart.
    • She resigned from Paramount in 2003 at age 60 to pursue a full-time career in philanthropy, specifically cancer research and education.
  • Personal Life and Choices:

    • Lansing prioritized her career over a traditional personal life in her 30s and 40s, stating she could not simultaneously be a studio head, a mother, and have a partner due to the "consuming" nature of the role.
    • She married at age 46 and has two stepchildren, describing her work-life balance as sequential rather than simultaneous.
    • She cites "denial" as a survival mechanism that allowed her to focus on work rather than office politics or external pressure.
    • She overcame childhood trauma and anxiety, including guilt over her father's death at 42 and a critical upbringing by a mother who escaped Nazi Germany, through rigorous therapy ("reparenting" herself).
  • Studio Management and Controversies:

    • Lansing navigated complex political turmoil at 20th Century Fox under owner Marvin Davis, who initially refused to acknowledge her as head of the studio, calling for her predecessor, "Jerry Lansing."
    • She adopted a strategy of "overworking and overpreparing" to insulate herself from media scrutiny that framed her hiring as a liability for all women.
    • She managed high-conflict production environments, including a 1992 crisis at Paramount where Wayne's World 2 faced a lawsuit due to screenplay plagiarism.
    • In the Wayne's World 2 incident, she threatened Mike Myers with a lawsuit and eviction to force a script rewrite, noting her primary obligation was to protect the movie's commercial viability.
    • She resolved the potential collapse of The First Wives Club by telling Goldie Hawn she would lose her assets if she walked off the set, referencing Kim Basinger's contract dispute that cost the actress $12 million.
  • Relationships and Dynamics:

    • Lansing collaborated closely with co-head John Dolgen, who managed financial affairs; she noted he was a "genius" at numbers while she focused on creative aspects, describing their partnership as sibling-like.
    • She maintained a working friendship with producer Scott Rudin despite conflicts, including an incident where Rudin forged a suicidal letter to influence casting in The Truman Show for Alan Arkin; Lansing chose Ed Harris and viewed Rudin's tactics as proof of his passion.
    • She defended director Gary Fleder when he unauthorized a reshoot, admiring his passion even though it violated insurance protocols.
    • She distinguishes between being "tough" (which she accepts) and "lying or disloyal" (which she says ends relationships immediately).
  • Transition to Philanthropy:

    • Her decision to leave Hollywood was catalyzed by a meeting with former President Jimmy Carter in 2000, who encouraged her to "leap" into a new life of service.
    • She founded the Sherry Lansing Foundation, focusing on cancer research (inspired by her mother's death) and education (inspired by her past as a teacher).
    • At age 72, she reports feeling "more alive, more authentic, and joyous" in her philanthropic work than during her 25 years as a studio head.
    • She aims to work until age 100, noting she feels she has avoided the trap of "dying at her desk."
  • Key Statistics and Numbers:

    • 25 years: Total tenure running two major Hollywood studios.
    • 13 years: Duration of her chairmanship at Paramount Pictures.
    • $12 million: The potential loss to Chasing Liberty (referenced as Chasing Liberty or implied context of Kim Basinger) when Kim Basinger walked out of a film.
    • 9:45 a.m.: The time Lansing and John Dolgen predicted they would receive a "bad news" call after breaking box office records on a Friday night, illustrating the fleeting nature of studio success.
    • 4.5 hours: The duration of her initial meeting with Jimmy Carter, during which he asked questions about her life rather than discussing policy.
  • Self-Reflection and Mental Health:

    • Lansing admits to having an "anxiety gene" inherited from her father and describes herself and her friends as "dead in a ditch girls" who assume the worst-case scenario for loved ones.
    • She rejects the notion of feeling "sorry for herself," distinguishing it from temporary depression or anxiety, and views these emotions as manageable rather than defining.
    • She believes her lack of self-esteem in her late 20s was resolved by therapy, which allowed her to separate her identity from external validation.
    • She acknowledges that "having it all" is impossible for some and depends on individual nature and support systems, such as a stay-at-home spouse.
  • Future Outlook:

    • Lansing remains actively involved in philanthropy and views her current life as the happiest period of her existence.
    • She plans to continue her foundation work and public speaking, expressing no desire to return to the film industry.
    • She anticipates living to age 100, attributing her longevity to a shift in perspective and a focus on joy rather than work-induced stress.