Misty Copeland
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- The Economist11 min
Misty Copeland: why ballet has so few black dancers
Misty Copeland, the first Black female principal dancer at the American Ballet Theatre, leverages her historic breakthrough and advocacy for arts education to challenge systemic discrimination and narrow aesthetic standards in classical ballet. Drawing from personal experiences with colorism and her research into predecessors like Raven Wilkinson, she critiques the industry's reliance on blackface and typecasting while urging a shift toward viewing technique as transcending race. Copeland further contextualizes her career milestones as irreversible progress comparable to the Obama presidency, emphasizing how such visibility fundamentally expands the perceived future for marginalized young artists.
- Goldman Sachs18 min
Misty Copeland, Soloist for American Ballet Theatre: Talks at GS Session Highlights
American Ballet Theatre soloist Misty Copeland reflects on her unconventional entry into professional ballet at age 13, navigating rapid physical training, severe injuries requiring tibia surgery, and the unique challenges of race in a historically homogenous art form. She rejects the burden of representation while advocating for structural industry inclusivity, emphasizing that classic repertoire remains valid without adaptation as she expands diversity initiatives like Project Plié. Copeland projects eight to ten additional years of performance, focusing on artistic excellence and mentoring underprivileged communities to see more "brown girls" in classical companies.